Courtly Manners: A Review of The Frozen Crown, by Greta Kelly

Not every novel needs to be a masterpiece.  Most books will not become the next great American novel, or spawn a never-ending franchise, or elicit well-reasoned think pieces and critical analysis.  Most are written, and read, for pure entertainment.  More often than not, these are the books that I prefer to read.  Books that do not require you to think about them too hard, but draw you in with well-told, interesting stories and entertaining characters.  The literary equivalent of a popcorn movie.  And it is perfectly acceptable to enjoy these stories for what they are.  No reader should ever be judged for choosing to read something for fun, or to escape from reality for a few days to weeks.  In the middle of a global pandemic, this sort of escapism can be more important than ever.  However, just because a book is meant for pure entertainment does not mean that the construction should always be overlooked.

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Practical Villainy: A Review of Hench, by Natalie Zina Walschots

This is no longer the Golden Age of Superheroes.  We are long passed the silver and bronze ages as well.  In the world of comic books, and superheroes in particular, we currently find ourselves the Modern Age.  A literary and creative time period where superheroes cannot be taken at face value anymore, where the implications of people with extraordinary powers must be considered and no longer ignored.  We have seen this trend in both comic books and film, where a certain practicality has been applied to thinking about superheroes and their effects on the world.  Readers and consumers of superhero fiction are not content with just watching Superman demolish buildings in order to stop the latest villain’s world-ending plot.  We need creators to consider the people in those buildings.  There are generations of people today—like millennials and gen Z—who have been raised on tragedy and destruction.  Terrorist attacks, never ending school shootings, and plagues were out childhood.  Like these disasters, literature cannot ignore the destruction and death caused just off-page when superheroes and supervillains clash.  Because, when you truly think about it, the idea of a superman in real life is horrifying.

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Extinction Blues: A Review of Highfire, by Eoin Colfer

When once there was a single genre of fantasy, now there are many.  Fantasy used to mean dragons, orcs, epic adventures, battle between good and evil, among other such literary tropes.  But you can only tell the same story so many times, in the same setting, before it begins to get stale.  Luckily, fantasy has proven itself to be a versatile genre, in that it is not a single genre anymore.  Rather, it facilitates the mixing of multiple genres to create something new.  Now, traditional fantasy can be more commonly known as high fantasy.  It’s counterpart, though not its opposite, is low fantasy.  The transplanting of traditional fantasy elements, such as dragons, into an otherwise mundane setting, such as rural Louisiana.  Highfire is one of the latest in a heritage of low fantasy.

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